FOR IMMEDIATE
RELEASE (6/02)
Contact: Lynn
Stewart, Centenary News Service, 318-869-5120
or Robert Buseick,
Marjorie Lyons Playhouse, 318-869-5242
Centenary's Marjorie
Lyons Playhouse Announces its 2002-03 Theatre Season Offerings
SHREVEPORT, LA -- The 2002-03 theatre
season at Centenary College's Marjorie Lyons Playhouse will include a comedy
considered to be one of Broadway's funniest, a murder mystery which pays
homage to the genre of creaking doors and thunder storms and a Tony Award-winning
musical that sets the signing of the Declaration of Independence to a humnorous,
tuneful score.
Housing the Theatre/Speech Departments
of Centenary, the theatre is celebrating its 45th year as one of the area's
leading cultural organizations. Season subscriptions, which sell for $85,
can be purchased at the theatre box office or by calling the theatre at
318-869-5242. Additionally, mail orders can be made by sending a
check to Marjorie Lyons Playhouse, 2911 Centenary Blvd., Shreveport, La.,
71134-1188.
The Season:
Tell Me That You Love Me, Junie
Moon
By D.D. Brooke
Adapted from the novel by Marjorie
Kellogg
Sept. 19, 20, 21, 26, 27, 28 at
8 p.m.
Sept. 29 at 2 p.m.
Three extraordinary people, each
handicapped, meet in a hospital and instantly form a bond in their search
for a fulfilling, meaningful life. Because they have nowhere else
to go, and no immediate prospects for the future, they make a decision
to live together after being discharged from the hospital. Junie Moon is
a young girl who has been disfigured from an attack by her husband. Warren
is a young man who has been shot and has suffered paralysis as an after
effect. Arthur, also a young man, is suffering from a degenerative brain
disease. Their individual illnesses and infirmities are at first difficult
obstacles to friendship. But gradually, courageously, they begin to explore
the dangerous possibilities of love. Robert Buseick will direct.
The Shape of Things
By Neil Labute
Nov. 6, 7, 8, 9, 14, 15, 16 at 8
p.m.
Nov. 17 at 2 p.m.
This modern comedy/drama recently
completed a smash run off-Broadway. A young college student, working as
a security guard at an art museum, stops a protester from spray painting
a sculpture. Slowly, he drifts into an ever-changing relationship with
her, an art major at the same college. Meanwhile, his best friend's engagement
is crumbling. The play humorously exposes two modern-day relationships.
How far would you go for love? For art? What would you be willing
to change about yourself.? What price might you pay for that change? Labute
has been at the forefront of young talents examining modern life with his
films In the Company of Men and Nurse Betty. The
New Yorker calls him "...the best new playwright to emerge in the past
decade." Patric McWilliams will direct..
*Note: This production will open
on a Wednesday rather than the usual Thursday opening.
Winnie the Pooh
Adapted by Kristen Sergel
Based on the book by A.A. Milne
Dec. 5 and 6 at 7 p.m.
Dec. 7 and 8 at 2 p.m. and 4 p.m.
As a holiday treat, MLP produces
a main stage children's theatre production for the first time since the
1970's. Winnie the Pooh is Christopher Robin's fat little "bear of very
little brain," who would like to drift peacefully through life. However,
he finds himself involved in all sorts of frantic adventures, assisted
by such friends as the dismal Eeyore, Piglet and Rabbit. Pooh's intentions
are always the best, but his passion for honey and condensed milk keeps
getting him into trouble. A.A. Milne's wit and special understanding of
young people make this one of the most delightful and endearing theatrical
experiences. Robert Buseick will direct.
The Wayside Motor Inn
By A.R. Gurney
Feb. 6, 7, 8, 13, 14, 15 at 8 p.m.
Feb. 16 at 2 p.m.
A truly original and creatively structured
play about the impersonality and, too often, the futility of American life.
The scene is a motel outside of Boston, into which come five sets of travelers,
one after the other. There is a well-to-do couple on a visit to their married
daughter; a lonely salesman looking for a bit of romance to temper the
boredom of his travels; an overbearing father and his son en route to an
interview at Harvard; a pair of liberated college students; and an embittered
doctor in the process of getting a divorce. As each of the situations
is developed, the irony, humor and pathos which they evoke is heightened
by the proximity of the other characters, building, in the end, to an indictment
of the shortcomings, large and small, of contemporary life. Robert
Buseick will direct.
The Bat
By Mary Roberts Rinehart and Avery
Hopwood
Adapted by Patric McWilliams
April 3, 4, 5, 10, 11, 12 at 8 p.m.
April 14 at 2 p.m.
While a storm rages, of course lights
flicker and shadows lurk in this popular American mystery play where incident
is piled upon incident. This thriller revolves around Cornelia Van Gorder,
who rents the summer home of a banker reported killed in Colorado. She
is warned that mysterious things are happening but she refuses to move.
Then it is discovered that a large sum is missing from the dead man's bank
and it is suspected that the banker -- far from being dead -- stole the
money, hid it in a secret chamber in his house and is only waiting for
a chance to sneak back to get it. But there are others who have their eyes
after the money : the bank cashier who was wrongfully accused of stealing
it; a detective trying to clear up the mystery; a doctor friend and The
Bat, a notorious thief who has long eluded the police. Ushering all of
these characters in and out of the mansion is a Japanese butler (Hmmmm).
Patric McWilliams will direct.
Noises Off
By Michael Frayn
June 5, 6, 7, 12, 13, 14 at 8 p.m.
June 15 at 2 p.m.
"It's possible that a funnier comedy
than Noises Off once played on Broadway, but I don't know what it
could have been," said Newsday's Allan Wallach of Michael Frayn's
classic farce of non-stop hilarity. A play within a play, it begins with
a troop of has-been and never-were actors in their frantic, final rehearsal
of the farce, Nothing On. As the melee of actors (outraged wife,
squeaky blonde, company lush, etc) stumble through their lines, they are
tossed about by a whirlwind of calamities--from missing contact lenses
and misplaced sardines to philandering lovers and a swinging axe. They
collide catastrophically in a real-life farce that parallels the one that
they're appearing in... 'til at last, in open revolt against each other
and their production.... the actors rewrite and sabotage every line of
their script. The only possible response is to laugh uproariously. Robert
Buseick will direct.
1776
Music and lyrics by Sherman Edwards
Book by Peter Stone
July 17, 18, 19, 24, 25, 26 at 8
p.m.
July 27 at 2 p.m.
The seminal event in American history
blazes to vivid life in this most unconventional of Broadway hits. Winner
of the 1969 Tony Award for Best Musical, 1776 finds us in the summer
when the nation was ready to declare independence ... if only the founding
fathers could agree to do it! The musical follows John Adams of Massachusetts,
Benjamin Franklin of Pennsylvania and Richard Henry Lee and Thomas Jefferson
of Virginia as they attempted to convince the members of the second Continental
Congress to vote for independence from the shackles of the British monarchy
by signing the Declaration of Independence. 1776 puts a human face
on the pages of history as we see the men behind the national icons: proud,
frightened, uncertain, irritable, charming, often petty and ultimately,
noble figures determined to do the right thing for the fledgling nation.
Robert Buseick and Patric McWilliams will co-direct.
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